Jerusalem, Israel - Mar. 14, 2024  - Hayelet Hashacher, or The Doe of Dawn, opened at Bible Lands Museum Jerusalem (BLMJ), on Wednesday night, March 13. The museum is one of 20 locations in Jerusalem, Israel hosting exhibitions for the Jerusalem Spring Biennale of Jewish Contemporary Art. Opening events began March 10 and are planned through March 21, 2024.


The BLMJ opened in 1992, founded by Dr. Elie and Batya Borowski who donated a priceless collection of ancient artifacts. "The future of mankind has its roots in the past and only through understanding our history can we build a better future," stated Dr. Elie Borowski (1913-2003). 

After October 7th, the BLMJ staff removed one hundred of its most valuable ancient and irreplaceable artifacts from the main gallery displays for safekeeping.

As the initial shock of October 7 waned, Jerusalem cultural institutions began to look for ways to use their facilities to serve the public. 

BLMJ pivoted to become a haven for displaced families, offering creative workshops with local artists and musicians and a space for a temporary school for special needs children. By the second week of the war, the BLMJ initiated a collaboration with artists from the Sam Spiegel Studios who volunteered to run art workshops for evacuees. 


Splinter from the Storm, featuring works by 20 Israeli artists, added contemporary art to the display of the ancient artifacts from the Museum’s permanent collection, throughout the museum's second level. “Through the collaboration, I saw the artists’ current works on display at their studio and thought it would be interesting to house these pieces in our empty gallery space,” explained Dr. Risa Levitt, on a recent tour of that exhibition. "With new works alongside ancient artifacts, we can perhaps better understand the pain felt by those long ago.”  That exhibit runs through April 30.

Now in the lower-level museum space vacated by the temporary school, the Jerusalem Biennale artists have provided a varied contemporary art exhibition. Ayelet Hashacher gave rise to manifold meanings in the Kabbalah throughout the generations, interweaving love, birth, nature, deliverance, and longing. 


In the wake of October 7, some artworks on display express the brutal negation of everything. Through the image of the doe, symbolizing the feminine resilience of Israel, the exhibit raises the crucial question burning within us right now: How can there be rebirth after such a deeply inflicted wound to the collective? 

At the opening event, performance artist Alana Ruben Free incorporated Queen Esther's throne with volunteers attending the evening festivities. 

Curator Rachel Verliebter was pleased to lead James S. Snyder, who previously led the Israel Museum, and was in Israel on a brief tour of the exhibition on opening night. 

Founder and Creative Director of the Jerusalem Biennale, Rami Ozeri was concerned that the October 7 attack disrupted the celebration of a decade of activities in the contemporary art arena. Promoting Jerusalem as an international hub for international artists, created a moving series of solidarity shows outside Jerusalem. "Now it’s time to get back to the city" stated Ozeri.

Former BLMJ director Amanda Weiss was present, mingling with the other guests for the opening event. 

Artists with work at BLMJ include Maya Zack, Yifat Bezalel, Alana Ruben Free, Sandra Valabregue, Iris Ahuva Pykovski, Giordana Musani, and Méïr Srebriansky whose piece is on the outside wall of the museum and seen from the street.